Tag Archives: painting

Momentary Contact – A Call to the Heart

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by Adonna Ebrahimi

For this body of work, instead of holding a paintbrush, I challenged myself to use natural objects from the outdoors and discarded items from the home. The contrast of these dual sources brings competing energy to the process. I like the pleasant tension. Pressing my fingers into the deep smooth paint and onto the flat coarse canvas sparks a sensation of pure joy and energy and reveals these flowers as I enthusiastically create. I hope you can appreciate this experience and perhaps imagine how you might approach it if given the time and space.

I have always loved flowers, everything about flowers. When I plant them, I wear no gloves. I want to feel the soil as I prepare the space that will ultimately nurture beautiful blooms. I want the touch and the scent of the soil on my hands. It connects me with the focus of my art. Have you ever felt that? If not with soil and flora, then perhaps with some other tactile creation. You of course have.

Flowers have a general, basic design that repeats in thousands of forms. And yet, each one is its own miracle of intricate shape, texture and fragrance. A single flower can compel us to joy. And when one flower combines with some others – of the same species or not – in a single spot, the result can mesmerize an unsuspecting viewer. I seek that power when I paint.

Some of my “tools”. Fork, feather, bubble wrap, credit card, shelf liner, and my fingers, of course 🙂

Bio

Adonna Ebrahimi
Born and raised in the Cincinnati Tri-state area, Adonna relocated to the West Coast in 1998 and began her professional art career. After being introduced to commercial art through a vocational – technical program in high school, she knew at a young age art was her calling. While working for small advertising agencies in Northern Kentucky and New Jersey she raised a family while eventually being led back to what she has always held dear in her heart, creating original art. Adonna’s mission is to create art that inspires and uplifts people in their sacred space.

Working out of her studio at H Gallery & Studios off Main Street in mid-town, Ventura, CA, Adonna invites collectors inside by appointment. She shares new work on social media platforms, Instagram and Facebook, and you can find her @ArtistrybyAdonna as well as on her website, www.artistrybyadonna.com.

Her floral interpretations invite you to experience her love of flowers and transmits onto canvas unique tools found in nature and one’s household versus standard brushes. This has resulted in a body of work that prompts viewers to take a much closer look.

Pantone Guide to Communicating with Color

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Three spreads from Communicating with ColorJust a few years ago, Leatrice Eiseman’s classic Pantone Guide to Communicating with Color, published in 2000, was out of print. In 2006 Eiseman came out with a second book continuing her color explorations, Color: Messages and Meanings. By that time, used copies of the first color book were going for nearly $200, way too steep for all but the collector.

I recently saw Eiseman’s 2000 book pop up again on Print and How magazines’ mydesignshop.com website in their “Deal of the Century” category. While it’s a bit too soon to make a hundred-year claim, I have to admit, Print and How magazines are offering those interested in the study of color a truly smoking deal.

Treat yourself and your designer buddies to a priceless holiday gift that you can be sure will be a handy resource for years to come. I’m delighted that I’m able to replace my tattered copy held together by rubber bands with a brand spanking new book for just $4.99. That’s really has got to be the “deal of the century!”

Living My Life with New Eyes

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Angela Sharkey was an Oak Creek Printworks featured artist in the winter of 2009/2010.

This colorful image of Roman pines was printed and used as a bookmark.

BY ANGELA SHARKEY
www.angelasharkey.com

I have been a professional artist for more than 20 years now and I have worked in both graphic design and the art industry and have found my true love in painting some 12 years ago. As an independent artist, I am constantly evolving with every changing landscape, pushing my boundaries whenever I can. My family and I move around the world quite often so I am constantly trying to find my place along the way in new and often unfamiliar cultures.

My home these days is sunny, ancient, noisy, and beautiful Rome, Italy. I visited this great city some 22 years ago as an artist living on a shoe string budget, and as many before me I was captivated by “la dolce vita.” Coming back to Italy to live has been a dream for me and I am determined to live life to the fullest. The French novelist Marcel Proust sums up my attitude in life quite well in his beautiful and poignant quote:

The real voyage of discovery consists not in seeking new landscapes but in having new eyes.”

With all the difficulties of moving so often and adjusting to a new life I find it fascinating how altering my vision or having new eyes can affect what I see and how I feel. This way of seeing, in turn, ultimately affects those around me—hopefully in a positive way. As I look around I see so many lives moving in different directions; everyone’s eyes are capturing a different view, giving us all our own unique perception.

Roman-pine-over-bridgeAs an artist I like to approach my work when my vision is overloaded with colors and scenes and I need to translate everything onto the canvas. I am always looking deeper, certain there is more below the surface, hoping for more clarity. In my work as an artist and in everyday life I am very drawn to color, and my art is a great way for me to express this.

Whether I am in the Tuscan countryside counting the endless cypress trees that line the country roads, or studying the rolling hills dotted with Roman pines, I envision the colors I want to capture as I sketch and study nature. Gazing upon the magnificent architecture all around me I break the images down into simple forms and shapes putting color where it once was and bringing texture into the piece. Everywhere I look I am inspired by the beautiful Italian landscapes and architecture, which I then transpose to the canvas through my own vision.

Tuscany-landscape-2011Alongside my work as an artist I am currently working as an art curator for the Mel Sembler Gallery at the US Embassy in Rome. My job allows me to show my art once a year at the gallery while the remainder of the year I scout American or international artists, along with the curating team, for those interested in showing at the gallery. Every month we show a new artist’s work which includes sculpture, painting, photography, textile art, and mixed media. I have had the privilege to meet many talented individuals and enjoy sharing in their excitement as a distinguished artist showing at the US Embassy Mel Sembler Gallery. For some artists it is their first solo show and I am honored to help them show their work in the best light possible, giving them the exposure they deserve.

In the month of March we have a special show dedicated to children’s art. The children of embassy employees submit their work which is then displayed in the gallery much to the pride of the young artists and the admiration of the adults. It allows the children a sense of confidence and accomplishment that they are able to publicly display their works. I have always enjoyed children’s art as it is uninhibited and free. This March 2012 we will be happy to help celebrate the 100th anniversary of The Girl Scouts of America as the Scouts submit their artwork to our gallery for the children’s art show.

I have seen firsthand the Mel Sembler gallery is more than just a venue for showing art, but a real-world setting for joining Americans and the international community. Through our art we are bringing people together to share ideas and connect our lives and families. I believe we all have the possibility to see with new eyes, regardless of the landscapes we are navigating, and bring forth positive new visions for our world.

roman-pines-bookmarkAngela Sharkey
Roma 2011

Spring Art Fairs

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by Nancy Haberman

It’s officially springtime, the start of a season of art fairs, craft shows and holiday boutiques…in other words, a prime time for artists to earn extra money selling matted prints, greeting cards, bookmarks and other printed products.

If you can reproduce your artwork, whether it’s photography, painting or another artistic medium, then you can create a marketable product at an affordable price.

Make an attractive presentation with a ready-to-frame, professionally cut, 4-ply acid-free, archival mat, back and bag combo. The mat protects the print from contact with the glass and serves to focus the viewer’s attention on the artwork, and away from the frame. The foam core backing is extremely lightweight, yet sturdy enough to provide protection for artwork. The crystal clear bag with peel ’n’ strip adhesive closure protects artwork from dust and fingerprints.

A big part of an art show is the experience of browsing through a variety of art from multiple artists. Artists have used everything from plate racks to orange crates to present their prints. To create a professional appearance and easy accessibility to your artwork, consider easy to transport canvas or acrylic print displays and greeting card spinners.

Type as background provides TEXTure for art

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by Georgia Lange

The trend of using text as a texture in art is one that is increasing in popularity. There are many different ways in which to incorporate this technique, and it can be applied to many different trades, including fine art, illustration, graphic design, and digital photography. One of the most interesting aspects of this technique is that it can be manipulated to suit just about any artist’s style. One method, which is most commonly used amongst graphic designers, is to use text to fill or create a shape. Another method, one of the most popular, Continue reading →

Artist Trading Cards

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Artist Trading Cards
Art Card Editions (ACEO)

Give an Art Card, Edition or Original, as a Stocking Stuffer
By Trevor Mauk

Countless artists today are trying to find new ways to have others experience their art. Many of them have turned to the Internet, and have had great success.  But a new, easy way to have your art in the hands of others is becoming more and more popular. Artist Trading cards, or ATCs, are opening a new world of artistic experience to both experienced and amateur artists across the world.

ATC-studio watercolor-setup

Artist trading cards were created in 1997 in Switzerland by Michael Leavitt, who was inspired by the idea of baseball trading cards. They are approximately 2.5 by 3.5 inch cards with an original piece of art that is created directly on the front, and with information about the artist who created it on the back. The individual cards are typically originals or part of an edition. The medium that the art is created on is limitless. Drawing, painting, photography, and three-dimensional objects can also be used on the cards. The only limitations for creating an ATC is that the card must be 2.5″ by 3.5″, and flat enough to be put into an envelope. Past these rules, the potential is endless, opening a wide range of possibilities for artists creating them. The small size has also pushed artists to create something very different than anything they have made before on their typically large canvasses.

Artist trading cards were not created with the intention of making money, but rather purely to experience art from others and to be able to share your own art as well. Therefore, they were intended to be traded and not sold. There are websites dedicated to arranging ATC trades, such as www.atcsforall.com, to make it very easy to start trading and to become part of the ATC community. The idea of physically trading these original pieces of art either through person or the mail has made this experience so much more genuine than experiencing art on the Internet. Having an original piece of art at your fingertips is oftentimes much better than viewing it on your computer screen.

Many artists who create ATCs also create their own envelopes that compliment their piece. It is also a good idea to put them in clear plastic pockets for storage and shipping to keep them protected. There are also specially sized boxes made for storing ATCs safely. A photo-album is a good way to keep ATCs protected and to look at them easily too. Some artists have been very creative with how they show and store their cards, whether it be sewing a plastic window on their handbag to display them, or framing them to show in their home.

In a world where so many artists are trying to find a way to have their art viewed by others, artist trading cards have opened up a new way to share original pieces in an easy, genuine way. With the artist trading card community growing, it is sure to open up a new artistic experience for artists of all types across the world.

THE ETIQUETTE OF LETTER WRITING

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by Georgia Lange

etiquette of letter writing

Original artwork and design by Wendy Patterson of Cafe Baudelaire

etiquette |etikit; -ket| – noun
the customary code of polite behavior in society or among members of a particular profession or group

 

Several months ago, I was listening to NPR and tuned into a discussion about handwriting. It was under debate whether handwriting is a dying practice in the digital age of communication. People rarely write hand-written letters anymore; the vast majority simply send an email or a digital greeting card. As I listened to the discussion, my inner fine artist started to cringe; I remember hearing similar discussions at the School of the Art Institute of Chicago (SAIC) over the future of painting, museums, hand-drawn animation and so forth. Traditions live on because we as a society choose to honor them by continuing their practice. There is something special about the tradition of creating things with our hands, and it is important not to lose the little things (such as handwriting or hand-written letters) just because modern technology makes it so much easier for us. Whatever your craft, your hands are as unique as your fingerprints. What you create using them is just as unique as you are, and just as precious.

Sending a hand-written letter has a much more personal and classy touch than an email. There are many ways to turn your hand-written letters into something extra special. Try writing with a quill pen or sealing your letters with a wax seal. This adds an artistic element to your letters giving them a more vintage and romantic quality. Check out nostalgicimpressions.com for an excellent selection of sealing wax, seals, and quilled pens. If this kind of etiquette appeals to you, than you are truly an artist at heart. Creating your own greeting cards with your art on them is the best way to turn your letters into gifts.

Giving someone a piece of your artwork, be it a print or an original, is a truly special kind of gift because it comes directly from you, and it makes the recipient feel just that much more special. The same principle also applies to greeting and gift cards. Maybe there are people in your life that you feel you do not have a close enough relationship with to warrant giving them a gift, but you still feel the need to let them know you are thinking of them. You may also have friends who are spread out across the country to whom you cannot afford to ship presents, but you still want to wish them a happy holiday season. Sending a greeting card with your original artwork printed on it is similar to sending a fine art print on a smaller scale. If you have your greeting cards printed in a 4 x 6 or 5 x 7 inch size, the recipients can easily place it in a frame turning a simple card into a work of art that can hang on their walls. It is also cost effective and allows you as an artist to market your work and your talent. Save that box of holiday greeting cards that you bought on post-holiday sale at Barnes and Noble or Borders last year and make your greeting cards more intimate and personal with a touch of the artistic and a touch of you.

Painting and Photography

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by guest blogger Jennifer Simpson

www.JenniferSimpsonArt.com

Jennifer-Simpson

My name is Jennifer Simpson and I’m the artist behind Jennifer Simpson Art Photography. I have painted with oils for most of my life and dabbled in acrylics and watercolor. I became serious about photography about 3 years ago with the purchase of a Nikon D-80 which I still use. My current work involves combining my first love – painting – with photography.    I came across the process I currently use rather by accident. I was getting some artwork ready for an exhibit and decided I would print my photographs onto canvas rather than my usual framing,  I never liked framing anyway, it’s a tedious process for me. Once I stretched my photographs onto a wooden frame, I realized that painting the photograph would be a unique, challenging, and meaningful way to present my artwork and express myself.

To explain my process in detail would be nearly impossible as each piece I do calls for a different technique to get across what I’m trying to say. I believe what they all have in common is a certain dreamy, vintage quality though – that and the fact that I only do them in a square format. Each photograph I do is first printed onto canvas, sometimes in color and sometimes in black and white. I then create what is basically a shallow wooden box to mount the canvas on. I line the canvas up onto the wood and gallery wrap it, using a staple gun to attach the canvas to the back edges of the ‘box’. I then flip the canvas over, put it on my easel and start painting. Sometimes I begin with an opaque wash of thinned out yellow paint over the entire photograph to give it a yellowed, vintage appearance. Then I paint the edges with black or brown paint bringing the color down onto the photograph, adding layers and wiping them off until the right amount of color vs. opacity is achieved.

There’s really no specific science to this,  I just kind of go by look and feel. Depending on the photograph I will sometimes create an entirely new background for the subject, painting a sky with clouds behind it or perhaps an ocean view or just completely changing the color, giving it a solid orange background where there once was forest or a wash of subtle blues and greens where there once was a building. At this point, I usually take sandpaper and start taking off the color in places, deconstructing the artwork so to speak.  It is this distressing that gives it texture and further interest. I take off the paint in some places, I even remove bits and pieces of the photograph itself from the canvas.

Dreams-Before-WakingThat-Seventies-SummerLanding

I create my canvases in all different sizes ranging from 10”x10” to 40”x40”. I photograph my painted canvases and make prints from them as well. I recently ventured into doing note cards after it was requested by several of my customers.   To see more examples of my work, you can visit my website at www.JenniferSimpsonArt.com.

Art Fair Necessities: Learn from the Pros

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by Georgia Lange

Last month I paid homage to the prestigious Beverly Hills art show known as the “Affaire in the Gardens”. This art show features over 200 nationwide artists and attracts up to 40,000 spectators every fall and spring since 1973. If you are a fan of outdoor group art shows and fairs, Affaire in the Gardens is top of the line. Even the Andy Gumps are swank at this renowned event.

The Affaire in the Gardens art show is almost too prestigious to be labeled an “art fair”; these individuals are not selling candles and clothing. In researching the exhibition guidelines, I learned that all wearable art and accessories (with the exception of jewelry) is strictly prohibited. Although this particular art show may be out of the traditional art fair league, no one can say that its magnificent display methods cannot be used as a model to other artists for other art shows.

How do these artists prepare for a show such as the Affaire in the Gardens art show; how were the booths set up? How was the necessary equipment acquired? What did each artist offer to promote his or her work? This article is specifically geared towards artists who may want to participate in the Affaire in the Gardens art shows in the future, and how one can prepare for application and participation. However, many of the principles discussed here could be applied to outdoor art shows other than the Beverly Hills art show. It is important to remember that every art show has different guidelines, and it is vital to do the research and examine the requirements before beginning the preparation process. Pay strict attention to deadlines and be at least partially prepared before applying, and remember that what applies to one show may not apply to another.

Click here to see full pdf article

A little help with artist’s block

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barbara

Ever suffer from creative or artist’s block? You are not alone in this. It happens to all creative people actually, including visual artists, poets, designers, musicians and writers.

One of our clients, Barbara Shannon, has developed a terrific resource book that can act as a creativity catalyst. This book is often used in public schools and for homeschooling art courses, and has been designed as an introduction to art media, but it can also expand any artist’s knowledge and help break that frustrating creative block.

The book, Exploring Art Media, introduces the incredible variety of media, materials, tools, and techniques available to the artist.  It covers color & design, drawing, commercial art, cartooning, painting, three dimensional art and arts/crafts. There is also a companion California Teachers Guide, for those artists who also teach.

Along with media exploration, the book teaches:
* Observation and drawing skills
* Color manipulation
* Implementation of art elements, concepts, and principles
* Art appreciation
* Environmental awareness
* Historical influences
* Creative thinking
* Painting techniques
* Sculpting methods

Check it out for yourself.

eam_book