Tag Archives: panorama photos

Try a #10 Greeting Card for Panorama Images

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Angela Sharkey

Wondering what to do with your auto-stitched and panorama photos? Bookmarks aren’t the only game in town. Long rectangles, either vertical or horizontal, transform into attractive greeting cards when presented on a #10 business sized greeting card. That’s what Angela Sharkey, former Featured Artist, did recently with some of her latest paintings. Rather than try to make the oblong shapes work on an A7, A6, or A2, more traditional greeting card shapes, Sharkey opted for the less commonly used #10 size.

 Photoshop

To set up your card in a Photoshop or other raster-oriented software, create a new document that is 10 inches wide by 8.75 inches in height. A document this size will accommodate the trim marks needed to accurately cut the card to size. If you want your image to bleed; that is, print all the way to the trimmed edge, it is important to extend your image beyond the trim marks by .125-inch. The bleed setting is represented here by the red line. The actual card trims to 9.25-inches wide by 8-inches in height. The trim is represented by the black line. A #10 card folds at the halfway, or 4-inch mark, represented here by the cyan (blue) line. All of these lines (including the black trim marks that fall at the four corners of the black trim line) are non-printing and part of the template. Simply redraw onto a printing layer the eight trim marks shown at the four corners.

 InDesign or Illustrator

If you use Adobe’s InDesign or Illustrator, set up a new document that is 9.25 inches wides and 8 inches in height. If your image will bleed, in the document setup options, create a bleed of .125 inch. Once the page is set up, drag a guide from the ruler to the 4-inch mark on the vertical ruler to indicate where the card will fold. To print, export your file to a print resolution .pdf with crop marks and you’re ready to rock ‘n’ roll.

Angela Sharkey is the curator of the Mel Sembler Gallery in the U.S. Embassy, Rome, Italy. View more of Angela’s art here.

Panorama phone apps stimulate imagination

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moorpark college

This past weekend I was immersed in the unpleasant chore of paying bills, when I reached for a pen and instead, my clumsy grasp sent a cup full of pens spilling over the edge of my desk and into a box full of old cards. Reluctantly, I got up out of my chair and fumbled through the box, my eyes landing on some old photos stored in a clear plastic box.

Upon seeing the fading image my grandfather as head pressman of the print shop where he worked, I realized I had not scanned the photo, which I thought might make a good retouching project for my Photoshop students.

And then, much as I hated to, I had to stop myself from wandering off track, but when I saw this new 180-degree panorama image juxtaposed with the circa 1920 image of my grandfather,  I couldn’t help but marvel at the technology built into our mobile devices.

As I mentioned in my article on “grunge” apps, now that we’ve mastered the doctored image to near perfection, we’ve gone on to mimic effects like the vignette, the scratches, and the light leaks in this aged image. And now we can create 180-degree, 360-degree, and even cave-like images projections that totally surround.

As a kid growing up in the 50s, the Dick Tracy watch was science fiction. Who’d thunk that as an adult, I’d have my very own communication device far superior to anything Dick ever imagined? This week I’m into panorama apps, but note that this is not intended as a review or comparison of specific applications, but instead, a reflection of my limited experiences with panorama apps in general.

cartagena, colombiaTypically, if you’re shooting with a normal lens, you can achieve a panorama effect by cropping and zooming into a very narrow area of an image. That’s essentially what you get when you order a panorama from the drug store, or your local film processor.

Among its many automation features, Photoshop has a fairly sophisticated blending function called “photomerge.” These days, however, I’m into “quick and dirty,” but I don’t really see the “dirty” in an app like AutoStitch from Cloudburst Research. It’s incredibly simple to use and has impressive blending and exposure algorithms.

cartagena, colombia-panoramaI’ve been making images around the college campus where I teach, and one of the effects when shooting these panoramas that has intrigued me ever since I studied photography is that of the disappearing people. I’ll never forget the sense of awe I experienced when seeing the photographs of Ralph Eugene Meatyard. The children in the images had disappearing faces, an effect all photographers have experienced when using slow shutter speeds while the subject moves.

It’s one of those things that started me  thinking about how untrustworthy human vision is, and the fact that we don’t see something doesn’t necessarily mean it is not there. It just means that our senses are not acute enough…and you can extrapolate whatever you want from that. My next project is to turn some of these panoramas into bookmarks that I can include with the gifts I give during the coming year.